installation/wood, cyanotype

The installation combines a historical photographic technique with sculptural elements: wooden discs are coated with cyanotype prints of human irises and suspended on chains. Their continuous movement ensures that at any given moment one of the “eyes” is directed toward the viewer, creating an unsettling sense of being observed. The work reflects on contemporary systems of surveillance and the omnipresence of the gaze, pointing to the tension between visibility, control, and the loss of privacy.